Here's a hint. The hotel is big. BIG. People of every nationality. Many, many Asians. Many from India and its neighboring countries. And disabled people with canes, walkers, wheelchairs. Infants, tots in strollers, children of all sizes. Shorts with tees, knee high boots with teeny mini skirts, pants, dresses, gym shoes, stilettos. OK. So where was I for Thanksgiving? You guessed it! Las Vegas!
The last time I was there, Frank Sinatra was performing, and it was a working trip. I was the cover for my husband who was photographing the Mafia for Life magazine. No, I wasn't on the cover, I was making us look like a tourist couple, so we'd be above suspicion. But that's another story. The point being...
This is not the Vegas of those days. This is VEGAS! We stayed at the Wynn. Very elegant. You get lost getting to the elevator. Really. And getting from the elevator to the entrance. Lost, each time. There are signs with arrows indicating anywhere you might want to go. Clue: Go through the casino, turn right... Always, go through the casino.
What do you do in Vegas if you don't gamble? You visit all the other hotels. They each have a theme or a style.
The Venetian has an indoor "canal" with gondolas and singing gondoliers. Also ceilings that the local Michelangelo painted beautifully. Paris is rather dark with its Parisian street lamps, and of course, the Eiffel Tower.
Treasure Island has an outdoor pirate ship that I understand goes up in flames and sinks. It was under repair. And no wonder.
The Bellagio has a huge (everything in Vegas is huge) outdoor water-fountain show with music.
I think the Wynn is the classiest. I'd come back into the lobby, and say, "Aah, home."
Each one is noisy, loud music, loud sound, loud color. I think none of them was planned by an architect. It is all stage design, Hollywood sets. I looked at the small map of the large lobby we got with our key. It shows the casino, restaurants, each shop, everything. Unfolded it stretches out with no apparent pattern. Swirls and curves and bends. Designed by a drunken artist, or a malevolent architect. But fun.
While each hotel appears to be next door, they cover so much area, that you walk forever to the next one. But when you have to be somewhere, like dinner or show, you cab.
Show? We had time for only one. I chose O. We (our four family members who could make the trip) sat in the 4th row, center. It opened with two clowns doing their shtick moving through the audience. It did not indicate what would happen when the curtains opened. And when the curtains opened, WHAT A SHOW! I could write the rest of this review in caps. SPECTACULAR! Gorgeous. Bewildering. Alarming. The name of the show, O, stands for eau, meaning water in French. And water there is. The stage is water. There are acrobatics way up, incredibly choreographed acrobatics, and the acrobats dive from heights into the water. How deep must the water be? And while you are marveling, it is not water anymore, but a solid floor for more thrilling activities. We need those clowns help us catch our breath, and they come on in a house boat. So witty, so engaging, funny. Then more action on the stage. Swimming is not a large enough word to describe the intricate maneuvers in the water. While there is an activity to focus on, peripherally so much other stuff is happening. Little vignettes, all over the stage and in the air. Your eyes catch something at stage right where something playful is going on, then stage left where a strange figure has just exited. Center again at the swimmers, but look up, what is that misty figure suspended? And every time you think, "This must be the finale," something else starts. By the time the red curtains drop, you are exhausted. Not the cast. They come out for their bow while we applaud like crazy. And then you realize they are going back to dry off, and get ready to do it all over again, tonight.
Then there is the food. That needs caps, too. FOOD. I'll talk about it tomorrow. I'm still re-living the excitement of O.
--Florence
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